The Double R Club - A Review: Expect The Unexpected

The Double R Club - A Review: Expect The Unexpected
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You walk into a smoky room where everything is a bit hazy and there is a vague aroma of coffee and maybe a fine Bordeaux. Jazz music, the type that evokes a sense of mystery and sensuality, delicately permeates every part of the large room. As your eyes adjust to the change in scenery, you notice a bar across the room illuminated by a warm light as well as a stage that is currently unoccupied except for a stool with a carved wooden owl sat atop of it staring coldly into the audience at their tables. You then notice that the entire room feels a bit like a stage, with red curtains hanging from the ceiling, covering most of the walls. Almost as if you are a part of the show now, like it or not…

If you are reading this and imaging a sort of Lynchian dreamscape (or hellscape), you would be completely right. This is the Double R Club—a Lynchian cabaret night in London.

As a fan of Twin Peaks, I was extremely excited to experience a night at the Double R. My partner and I were lucky to join one of the tables closest to the stage, where the wooden owl sat until the host, Benjamin Louche, introduced the show. He begins the show on a dark stage with only a handheld work-light underneath his face, giving a sinister glow as he performs. Throughout the night, Louche finds a balance between quips and poetry in his deliveries and a balance of making the audience feel comfortable while also slightly terrified to see what comes next. Louche not only embodies the aura of a Lynchian character while also being a VERY suave host, but he also 100% dresses the part.

Channeling the character “Ben” from the 1986 film, “Blue Velvet”, Louche was dressed in a vintage ruffle blouse and a red and black patterned suit. The outfit was even reminiscent of some that can be found at our dear LemonBelly. As the night goes on, you can tell that the host savours the power he has over the audience and is truly passionate about the acts of the night—acts that will, as Louche put it, “arouse, amaze, and amuse” the audience.

The first act was the drag king, Len Gwyn, portraying Leland Palmer of Twin Peaks with a performance of “Get Happy” with a haunting positivity that is all the more disturbing if you have seen Twin Peaks. The tone of his performance then switches as he performs “Cry me a River” with a palpable sadness, the voice of a crooner, and an underlying crazy behind his eyes. 

There were three dancing acts through the night. The first up was a woman portraying Ronette Polowski—a broken girl, attempting to cope through vanity, pleasure, and acceptance (Catherine Taylor). The second dancer of the night was a man dressed in all black and a red scarf (Duane Nasis) accompanied by a suave singer dressed in a cream-coloured suit (Luke Fraser). The contrast between the singer, a debonair man with an elegant look, and the dancer performing a passionate burlesque dance while stripping into a little strappy leather number, was beautiful and extremely evocative. Lastly, there was a burlesque performer (Eliza DeLite) with, let me tell you, some GORGEOUS costuming—a red ostrich feather boa, and a look very reminiscent of Dita Von Teese. If you have yet to see a burlesque performance centered around being a coffee-zealot, then I implore you to see this burlesque performance whenever you can. All I have to say is that the coffee she made looked like it was “damn fine coffee, and HOT!”

The hosts of the night, the aforementioned Benjamin Louche and his lovely wife Rose, then host a special game of bingo called “Twingo”. While I did not win said game of Twingo (I was one off!), it was a fun little interactive part of the show that really displayed the great chemistry between the hosts of the night—which is great to see considering they are married…

There were other, more difficult to describe acts throughout the night: A fabulous musical act that I won’t spoil for you (The Bleeding Hours), a campy comedian dressed in an outfit of high-waisted underwear, a tartan mask with a mustache on top, and a newsboy cap (Jerry Bakewell), and a doppelganger of the host that gave a haunting performance (Molly Beth Morossa). As for the last performance of the night, I will not even attempt to describe the details, except to say that it was a stunning theatrical depiction of a surrealist, Lynchian nightmare (Heavy Metal Pete and Abnormalik). And I loved every second of it. While there were several strange and unusual surprises throughout the night, this performance was most definitely the cherry on top. It may not be everyone’s cup of tea, but anyone still reading now and intrigued by the tales of the Double R would most definitely have a great time. 

I could go on and on about this night at the Double R if I am completely honest, but I wouldn’t want to spoil the whole night for those interested. What I will say is this: anyone that is a fan of the works of Lynch, cabaret, or the out-of-the-ordinary, will find something up-their-alley at the Double R.

If you feel like taking a trip, through the red curtains and into a dream (or the Walthamstow area), the next Double R club dates can be found on their website. Based on my experience it will be a “damn fine” night, Diane.

https://www.thedoublerclub.co.uk/

PS: Don’t forget to pop into LemonBelly to find the perfect outfit for this night out ;)

 

Thanks for reading,

Keileigh Fry

LemonBelly

 

Artists performing:

Benjamin Louche

Len Gwyn

Catherine Taylor

Jerry Bakewell

Duane Nasais with Luke Fraser

The bleeding hours

Molly Beth Morossa

Eliza Delite

Heavy Metal Pete and Abnormalik

 

 

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